New films starring Charli xcx, Natalie Portman and Salman Rushdie will all receive their world premieres at next month’s Sundance film festival.

The festival will be held for the last time in Park City, Utah, before it moves to Boulder, Colorado, in 2027. Over the years, it has been home to the first screenings of films including Get Out, Four Weddings and a Funeral, The Blair Witch Project, Past Lives, Napoleon Dynamite, Precious and Little Miss Sunshine.

Charli xcx will be seen in three films premiering at the 2026 festival, led by The Moment, a mockumentary where she plays a version of herself. “It’s not a tour documentary or a concert film in any way, but the seed of the idea was conceived from this idea of being pressured to make one,” she has said of the film. It also stars Rachel Sennott, Alexander Skarsgård, Kate Berlant and Kylie Jenner.

She will also appear alongside Portman in dark comedy thriller The Gallerist. The film centres on a gallerist trying to sell a dead man at Miami’s Art Basel. It’s co-written and directed by Cathy Yan, whose last film was DC spin-off Birds of Prey. The cast also includes Jenna Ortega, Sterling K Brown, Da’Vine Joy Randolph, Catherine Zeta-Jones and Zach Galifianakis.

The singer’s third film is I Want Your Sex, an erotic thriller from Mysterious Skin director Gregg Araki, marking his first film since 2014. It stars Cooper Hoffman as a young man who starts working for a provocative artist, played by Olivia Wilde, and soon finds himself in “a world of sex, obsession, power, betrayal, and murder”, according to the synopsis.

Wilde will also premiere “provocative date night comedy” The Invite, her directorial follow-up to Don’t Worry Darling which follows two couples spilling secrets at a dinner party. She stars with Seth Rogen, Edward Norton and Penélope Cruz.

Rushdie heads up a strong section of documentary premieres with Knife: The Attempted Murder of Salman Rushdie, a new film directed by Alex Gibney that will feature unseen footage captured by the author’s wife as he recovers from the 2022 attack. “The opportunity to make this film about his recovery – in the broadest sense of the term – comes at a critical time,” Gibney said. “It gives me hope.”

There will also be documentaries on Marianne Faithfull, Brittney Griner, Courtney Love, Nelson Mandela, Billie Jean King and the Harlem Renaissance as well as the new project from John Wilson, where he learns how to make a Hallmark movie and uses the same template to try to sell a film about concrete. Ta-Nehisi Coates will also collaborate with director Dawn Porter for wrongful conviction documentary When A Witness Recants while Navalny director Daniel Roher returns with a cautionary film about AI.

Olivia Colman, who has previously premiered The Father and Jimpa at Sundance, will return with offbeat romance Wicker which sees her star as a “smelly, single and perpetually ridiculed” fisher who commissions a basket maker to create a husband, leading to “outrage, jealousy and chaos”. Skarsgård, Peter Dinklage and Elizabeth Debicki star alongside.

As he gains Oscar buzz for his role in Richard Linklater’s Blue Moon, Ethan Hawke will next be seen in The Weight, a 1930s drama about gold smuggling that co-stars Russell Crowe. Chris Pine will star opposite Jenny Slate in Carousel, a film where he plays a doctor whose life unravels. That film will be playing in competition alongside titles including Run Amok, about a teenage girl staging a musical based on a shooting that happened at her high school, and the Channing Tatum-starring Josephine about a young girl who witnesses a crime which causes her to spiral.

Sundance has become a key destination for new horror films with previous years seeing films including Saw, Hereditary and The Babadook premiering. This year sees the launch of Buddy, about a young girl who has to escape a kids TV show, starring The Penguin’s Cristin Milioti and Keegan Michael-Key. It comes from the same production company behind this year’s smash hit Weapons.

Relic director Natalie Erika James will also return to the festival with Saccharine about teenagers indulging in a new weight loss craze that sees them eating human ashes.

Other premieres include the new film from Madeline’s Madeline director Josephine Decker called Chasing Summer starring comedian Iliza Shlesinger, comedy Gail Daughtry and the Celebrity Sex Pass with Zoey Deutch and Jon Hamm, The Shitheads starring Dave Franco and O’Shea Jackson Jr as “two unqualified bozos” transporting a rich teen to rehab and In the Blink of an Eye, an ambitious time-spanning sci-fi drama from beloved Pixar director Andrew Stanton.

In the TV section, Riz Ahmed will premiere his new six-part series Bait, where he plays a struggling actor whose life spirals out of control.

As well as saying a goodbye to Park City, the festival will also be commemorating founder Robert Redford who died earlier this year. There will be a special screening of his film Downhill Racer and a number of other events.

Last year’s festival saw the premieres of Twinless, Lurker, The Perfect Neighbor, Train Dreams, The Alabama Solution and Sorry, Baby.

The festival will take place between 22 January and 1 February.

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Oscar winners, pop stars and hip-hop legends will light up Park City, Utah for the Sundance Film Festival’s last hurrah before moving to Colorado.

The Sundance Institute announced 90 feature films and seven episodic projects across multiple sections on Wednesday, featuring buzzy titles from the likes of Natalie Portman, Olivia Wilde, Jon Hamm, Charli xcx, Chris Pine and Judd Apatow. The final installment, ahead of the festival’s paradigm-shifting relocation to Boulder, comes as a bittersweet farewell to its founder, Robert Redford, and a chance to honor Tammie Rosen, the festival’s chief communications officer who died last week.

“Each of us has had a very long history with this festival in different ways, and we feel the weight and the significance of that in preparing for this year’s festival — but also in laying the foundation for what Sundance will be in 2027 and beyond,” said Sundance director Eugene Hernandez, who oversees public programming.

“It’s such an important year for this festival, especially now, in the wake of Robert Redford’s passing,” he added. “It’s going to be really memorable. There are some familiar faces that have a history and a connection to Sundance, like John Turturro and Nicole Holofcener. But there are also lots of new faces, such as Charli xcx, that folks will be able to discover and to experience or see in new ways.”

Leading the U.S. dramatic competition is Chris Pine’s “Carousel,” about a divorced doctor whose life is upended when his daughter’s aspirations and the unexpected return of a past love force him to confront his own choices and embrace a second chance. Academy Award winner Portman is back with an indie comedy co-starring Jenna Ortega, “The Gallerist,” about an art dealer who conspires to sell a dead body at Miami’s Art Basel conference.

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EXCLUSIVE: Oscar-winning filmmaker Alex Gibney, who has made films about Enron, Scientology and Russian President Vladmiri Putin, has set his sights on another controversial figure: Luigi Mangione.

Gibney, who has been working on the project since the end of last year, has now sold the project to Hulu.

The streamer has greenlit the untitled project with filming underway.

It comes nine months after Mangione allegedly gunned down Brian Thompson, CEO of health insurance company UnitedHealthcare in broad daylight in midtown Manhattan. Mangione was charged with four federal crimes including murder and was formally indicted in April.

Gibney’s untitled film will highlight how the killing of Thompson on a New York City sidewalk transfixed the public. It will explore explores the complicated story beneath the headlines and investigate “how the spectacle of violence can obscure deeper truths”.

Gibney directs and will produce via his Jigsaw Productions company with Anonymous Content also producing. Trevor Davidoski and John Jordan will produce. Gibney, Razan Ghalayini and Richard Perello will exec produce for Jigsaw with Jessica Grimshaw and David Levine exec producing for Anonymous Content.

It is Gibney’s latest project for Hulu; he co-created and directed the first episode of scripted series The Looming Tower, which told the story of the threat of Osama Bin Laden and Al-Qaeda in the late 1990s and the rivalry between the FBI and CIA.

Gibney, who is working on an Elon Musk documentary, recently directed HBO’s The Dark Money Game and Wise Guy: David Chase and the Sopranos, and produced The Bibi Files, an inside look into the corruption charges against Israeli Prime Minister Benjamin Netanyahu.

It joins Hulu’s doc slate, which includes recent projects such as God Forbid: The Sex Scandal That Brought Down a Dynasty, Victoria’s Secret: Angels and Demons, Stolen Youth: Inside the Cult at Sarah Lawrence, Freaknik: The Wildest Party Never Told and Devil in the Family: The Fall of Ruby Franke, which was Hulu’s biggest docuseries premiere to date.

“Following our collaboration on Looming Tower, I am delighted to join forces with Hulu to tell this powerful and important story,” said Gibney. “In the tradition of previous Jigsaw investigations, I think that people who think they know the story will be surprised and moved by the details hiding behind the headlines.”

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Alex Gibney‘s anticipated Elon Musk documentary will be released theatrically in the U.S. by Bleecker Street.

“Musk” is an incisive look behind the legend of Elon Musk. Gibney has been continuously expanding the film’s scope to unveil a rich portrait, even as history unfolds in real-time. Bleecker Street will roll out “Musk” in theaters before its HBO Max debut. HBO Documentary Films pre-bought North American streaming and TV rights to the project, while Universal Pictures Content Group has acquired international rights.

“No biographical portrait, outside of obvious political figures, has centered on an individual so at the crossroads of our society as Elon Musk,” said Kent Sanderson, Bleecker Street CEO, in a statement: “But there is also no filmmaker that I could possibly imagine bringing that story to audiences with unmatched clarity, audacity, and urgency more than Alex Gibney,” Sanderson continued.

Gibney previously directed “The Inventor: Out for Blood in Silicon Valley,” the Oscar-nominated “Enron: The Smartest Guys in the Room,” and Oscar-winning “Taxi to the Dark Side.”

“Musk” reteams Gibney with Sanderson, and Bleecker executives Tyler DiNapoli and Myles Bender, who previously worked together on “We Steal Secrets,” the acclaimed Julian Assange documentary released by Focus Features and Universal Pictures International in 2013.

“Musk” is produced by Gibney, Jessie Deeter, and Erin Edeiken from Jigsaw Productions; Zhang Xin and Joey Marra from Closer Media; Nick Shumaker and Jessica Grimshaw from Anonymous Content; and Dana O’Keefe from Double Agent. Executive producers include New Regency’s Yariv Milchan, and Natalie Lehmann; Richard Perello from Jigsaw; William Horberg from Closer Media; David Levine from Anonymous Content; as well as Kent Sanderson and Miranda King for Bleecker Street.

The deal was negotiated by Bleecker Street’s Miranda King and Avy Eschenasy, with Nick Shumaker of Anonymous Content on behalf of the filmmakers. HBO Documentary Films previously pre-bought North American streaming and TV rights and Black Bear is handling international sales for the film, and did the deal with Universal Pictures Content Group.

Bleecker Street recently re-released the 1984 cult classic “This Is Spinal Tap,” created by Rob Reiner, Christopher Guest, Michael McKean, and Harry Shearer, and is on track to release Rob Reiner’s “Spinal Tap II: The End Continues” on Sept. 12.

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Robert Kessel has joined Alex Gibney’s Jigsaw Productions as executive vice president of scripted content.

Kessel will be responsible for expanding Jigsaw’s film and TV scripted projects. He will also oversee Gibney’s narrative feature debut, “Two Wolves.” The Vietnam thriller tells the story of helicopter pilot Hugh Thompson and General Ray Peers, who exposed a massive war crime and its cover-up in a way that helped to end the war.

Kessel previously served as Participant’s exec VP of narrative film, where he oversaw the development and production of narrative films, including “Wonder” and”Green Book.”

Kessel’s move to Jigsaw reunites him with his former Participant colleague Courtney Sexton, who joined Jigsaw earlier this year as EVP, film and television, and head of west coast operations. Kessel and Sexton are both based in Jigsaw’s Los Angeles office. Gibney is based at Jigsaw’s headquarters in New York City.

“I’ve long admired Jigsaw for its dedication to premium storytelling – stories that entertain, explore important issues, expose truths, and ultimately inspire,” Kessel says. “That’s always been my driving force, and I’m fortunate to have been involved in films that share that vision.”

Earlier this year, Wendy Schmidt, a longtime philanthropist and wife of former Google CEO Eric Schmidt, acquired a majority stake in Jigsaw. The production company is currently in production on several projects, including Gibney’s two upcoming projects: HBO doc “Musk,” about Elon Musk, and “Knife,” inspired by Salman Rushdie’s memoir “Knife: Meditations After an Attempted Murder.” in April. Gibney most recently produced Raoul Peck’s “Orwell: 2+2=5,” which debuted at the Cannes Film Festival in May. The doc will screen at the Toronto International Film Festival and the Camden International Film Festival in September.

“Robert is an extraordinary scripted executive and producer,” Gibney says. “He possesses excellent taste and strong relationships, and crucially, knows how to deliver. He’s fully committed to our stealthy, unconventional operation, working ‘under the radar,’ to create impactful, thought-provoking films in a challenging landscape.”

Kessel executive-produced Todd Haynes’ “Dark Waters,” Mark Forster’s “White Bird” and Chiwetel Ejiofor’s “Rob Peace. He produced Disney+’s “Out of Mind,” which was a Peabody and Television Academy honor recipient. Kessel’s “The Wave”, directed by Sebastian Lelio, and “Eleanor The Great” directed by Scarlett Johansson, which Kessel executive produced, are slated to be released later this year.

At Participant, Kessel oversaw production on the Oscar-winning “Spotlight, “Deepwater Horizon,” which earned two Academy Award nominations, “Beasts Of No Nation” and “A Most Violent Year.”

Prior to Participant, Kessel produced films and held senior executive posts at Sony Pictures’ based Matt Tolmach Productions, Overture Films, Hart Sharp Entertainment and Miramax Films. Prior to joining Jigsaw and after the closing of Participant, Kessel consulted for Pepsi Content Studio.

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Documentaries about journalists Seymour Hersh, Lynsey Addario, and the late Fatma Hassona are heading to the 50th edition of the Toronto Intl. Film Festival.

TIFF‘s Docs program gets underway Sept. 4 and will feature 23 feature docs from 18 countries. The program will open with the world premiere of two-time Oscar-winning filmmaker Ben Proudfoot’s “The Eyes of Ghana,” about 93-year-old Chris Hesse, a cinematographer who served as the personal filmmaker for Ghana’s first president, Kwame Nkrumah. Barack and Michelle Obama-led shingle Higher Ground executive produced the doc.

“The film is a love letter to filmmaking and the efforts of Chris Hesse to not only document a chapter of history, but also his work to preserve that footage,” said Thom Powers, lead TIFF documentary programmer.

Oscar-winning filmmaker Laura Poitras and co-director Mark Obenhaus’s “Cover Up,” about investigative journalist Seymour Hersh, will make its Canadian premiere at TIFF after a world premiere at the Venice Film Festival. “Cover Up” chronicles Hersh’s reporting on some of the most damning constitutional wrongdoings and cover-ups, including the My Lai massacre in South Vietnam, the 2003 invasion of Iraq and systematic tortures at Abu Ghraib. Poitras, who won the Oscar for best feature documentary in 2015 for “Citizenfour” and was nominated for an Academy Award for her 2022 doc “All the Beauty and the Bloodshed,” has been striving to make a film about Hersh for the last two decades.

“He finally, recently, said yes,” said Powers, who has been programming TIFF’s doc section for 20 years.

“One way in which we’ve come full circle since the time I started is that I think there was a spirit of festival going into the 2006 edition where you felt like, ‘I better go to this festival because I might never have a chance to see this film again,’” said Powers. “Then in the last 10 years, we got a false sense that everything is available, and now I think it’s starting to dawn on people that some of the films that you might see at your local film festival, TIFF included, you might not have a chance to see them again.”

National Geographic is set to distribute Jimmy Chin and Chai Vasarhelyi’s latest doc “Love+War” about Pulitzer Prize-winning photojournalist Lynsey Addario. The Oscar-winning filmmakers, who recently announced their divorce, explore Addario’s two-decade-long career reporting on issues including Taliban-ruled Afghanistan, the Libyan crisis, and genocide in Darfur.

Sepideh Farsi’s “Put Your Soul on Your Hand and Walk” is another doc in the TIFF lineup about a photojournalist. The film will make its North American premiere at the fest. About 25-year-old Gaza photojournalist Fatma Hassona, “Put Your Soul on Your Hand and Walk” is the story of a woman under siege by constant bombing. On April 16, a day after the movie’s Cannes Film Festival debut was announced, Hassouna was killed in an Israeli airstrike.

Variety film critic Siddhant Adlakha said that Farsi “takes an unusual visual approach to capturing Hassona, but one that eventually pays dividends. Using one smartphone to film another, the Iranian director creates layers of distance between the audience and her subject — or rather, mimics the actual divide between the two women — during their many WhatsApp video chats. Farsi cannot enter Gaza, and Hassona cannot leave, leaving pixelated calls with delayed audio (owing to Hassona’s poor internet connection) as their only way to connect.”

Also making its North American debut at TIFF is Raoul Peck’s “Orwell: 2+2=5,” which premiered at this year’s Cannes Film Festival. About the author of “1984” and “Animal Farm,” Oscar-nominated Peck (“I Am Not Your Negro)” interweaves historical clips, readings from Orwell’s diary, cinematic references, and modern-day footage to craft “Orwell: 2+2=5.” The film features Damian Lewis as the voice of Orwell.

Other notable titles in this year’s TIFF doc lineup include “John Dower’s The Balloonists,” about adventurers who set out to circle the globe in a balloon; Tasha Van Zandt’s ,”A Life Illuminated,” about marine biologist Dr. Edie Widder; Christopher Nelius’ “Whistle” about champion whistlers; Lorena Luciano’s “Nuns vs. the Vatican” about new allegations of abuse inside the Catholic Church; Billy Corben’s “Canceled: The Paula Deen Story” a film that re-investigates the scandal behind the celebrity chef; and Nicole Bazuin’s “Modern Whore,” which explores the sex industry and is based on the book of the same name by Andrea Werhun and Bazuin.

Despite industry-wide budget cuts and a shortage of doc distributors for nonfiction social issue fare, Powers winnowed the list of 23 docs from over 1,000 submissions.

“It certainly feels jarring, compared to the very prominent conversations that we hear in the documentary community, understandably so, about distribution opportunities shrinking,” said Powers. “My takeaway is that the spirit of making documentaries is undiminished. We need more people to step up on the distribution side.”

The 23 doc titles screening in the TIFF doc program join a number of documentaries already announced as part of the gala and platform programs including the world premieres of “John Candy: I Like Me,” “Lilith Fair: Building a Mystery,”  “Degrassi: Whatever It Takes,” “EPiC: Elvis Presley in Concert,” “You Had to Be There: How the Toronto Godspell Ignited the Comedy Revolution” and “Palimpsest: the Story of a Name.”

The full list of the TIFF Docs lineup follows:

A Life Illuminated | Tasha Van Zandt | USA
World Premiere

A Simple Soldier | Juan Camilo Cruz, Artem Ryzhykov | Ukraine
North American Premiere

Aki | Darlene Naponse | Canada
World Premiere

Below the Clouds | Gianfranco Rosi | Italy
International Premiere

Canceled: The Paula Deen Story | Billy Corben | USA
World Premiere

Cover-Up | Laura Poitras, Mark Obenhaus | USA
Canadian Premiere

Flana | Zahraa Ghandour | Iraq/France/Qatar
World Premiere

Love+War | Chai Vasarhelyi, Jimmy Chin | USA
World Premiere

Modern Whore | Nicole Bazuin | Canada
World Premiere

Ni-Naadamaadiz: Red Power Rising | Shane Belcourt | Canada
World Premiere

Nuestra Tierra | Lucrecia Martel | Argentina/USA/Mexico/France/Denmark/Netherlands
North American Premiere

Nuns vs. The Vatican | Lorena Luciano | USA
World Premiere

Orwell: 2+2=5 | Raoul Peck | USA/France
North American Premiere

Powwow People | Sky Hopinka | USA
World Premiere

Put Your Soul on Your Hand and Walk | Sepideh Farsi | France/Palestine/Iran
North American Premiere

Still Single | Jamal Burger, Jukan Tateisi | Canada
World Premiere

The Balloonists | John Dower | USA/UK/Austria
World Premiere

The Eyes of Ghana | Ben Proudfoot | USA
World Premiere

The Tale of Silyan | Tamara Kotevska | North Macedonia
North American Premiere

There Are No Words | Min Sook Lee | Canada
World Premiere

True North | Michèle Stephenson | USA/Canada
World Premiere

While the Green Grass Grows: A Diary in Seven Parts | Peter Mettler | Canada/Switzerland
World Premiere

Whistle | Christopher Nelius | Australia
World Premiere

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Harlem’s Maysles Documentary Center is giving recognition to three of this year’s top nonfiction films with Oscar potential – Orwell: 2+2=5 from director Raoul Peck, The Perfect Neighbor directed by Geeta Gandbhir, and Sundance winner Seeds, directed by Britanny Shyne.

The center will honor the films at the 6^th annual Albie Awards dinner on September 24 at Ginny’s Supper Club @ Red Rooster in New York City.

“To date the Albies have been an early predictor of top contenders for the Academy Awards and other significant honors,” notes Kazembe Balagun, executive director of Mayles Documentary Center. “This year, we are excited to honor Raoul Peck’s Orwell: 2+2=5, Geeta Gandbhir’s The Perfect Neighbor, and Brittany Shyne’s Seeds.”

Peck’s documentary, which premiered at the Cannes Film Festival in May, examines the life and work of author George Orwell, with particular emphasis on the prescient quality of Orwell’s dystopian masterpiece, 1984, published in 1949.

The Perfect Neighbor, winner of the directing award for U.S. documentary at Sundance, uses police dash cam and bodycam footage to present the shocking case of Ajike Owens, an African American mother of four who was gunned down by her neighbor, a white woman named Susan Lorincz, in Ocala, FL in 2023.

Shyne’s Seeds won the Grand Jury Prize for U.S. Documentary at Sundance in January, and has gone on to earn honors at the San Francisco International Film Festival, Seattle International Film Festival, as well as Provincetown and RiverRun festivals. Using black and white cinematography, the director explores the experience of African American farmers in the South who cultivate land held by their families for generations.

“This year, with the chaotic state of security in the world, we focus on the crucial role of the arts celebrating the values that bring us together in community and the forces that divide us,” Balagun explains. “The Albies this year look at a variety of timely topics: generational black farmers and the significance of owning land, how Stand Your Ground laws divide us and incite violence, and how our current times function in a playbook of global totalitarianism.”

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EXCLUSIVE: DC/DOX, the prestigious documentary film festival in the nation’s capital, today announced the full slate for its third edition.

The cinematic event will include a dozen world premieres including The Last Class, a documentary about former Secretary of Labor – and ardent Trump opponent – Robert Reich; the sex trafficking documentary The Right Track, directed by Shareen Anderson; A Savage Art: The Life & Cartoons Of Pat Oliphant, a film about the famed political cartoonist directed by Bill Banowsky, and Immutable, a feature on the Washington Urban Debate League directed by Charlie Sadoff and Gabriel London.

As previously announced (and reported by Deadline), DC/DOX will kick off with the world premiere of Steal This Story, Please!, a documentary about Democracy Now! host and author Amy Goodman, directed by Oscar-nominated filmmakers Carl Deal and Tia Lessin.

DC/DOX, running June 12-15, boasts a slate of 59 features and 35 shorts from more than two dozen countries. Scroll for the full lineup.

The festival unfolds in a Washington where President Trump announces head spinning policies on a daily basis, like his new proposal to impose a 100 percent tariff on movies filmed overseas and then imported to the U.S. Ostensibly, that’s meant to fortify Hollywood, but at the same time the administration has slashed funding to organizations that directly support filmmakers and film festivals.

“This year’s DC/DOX lineup is a powerful reminder of documentary film’s unique ability to illuminate the world around us—its beauty, its heartbreak, and its complexity,” said DC/DOX co-founder and festival director Sky Sitney. “At a time when so many forces are working to render certain stories invisible—be it the pressures of a rapidly changing industry or suppression from the highest levels of political power—these films boldly insist on bringing truth into the light. From uncovering overlooked realities to reframing narratives we thought we understood, they exemplify the urgency and artistry of the form. We can’t wait for audiences to experience them.”

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If the Oscars shortlist is the equivalent of mid-term exams for awards contenders, then Netflix’s “Emilia Pérez” and Universal Pictures’ “Wicked” just received passing grades.

The Academy of Motion Picture Arts and Sciences has announced the shortlists in 10 categories for the upcoming 97th Oscars ceremony.

The preliminary voting applies to animated short film, documentary feature, documentary short, international feature, live action short, makeup and hairstyling, original score, original song, sound and visual effects.

Oscar voting to determine the nominees in all 23 categories opens on Wednesday, Jan. 8, and concludes on Sunday, Jan. 12. Nominations will be announced on Friday, Jan. 17.

DOCUMENTARY FEATURE FILM
Fifteen films will advance in the Documentary Feature Film category for the 97th Academy Awards. One hundred sixty-nine films were eligible in the category.  Members of the Documentary Branch vote to determine the shortlist and the nominees.

The films, listed in alphabetical order by title, are:

“The Bibi Files”
“Black Box Diaries”
“Dahomey”
“Daughters”
“Eno”
“Frida”
“Hollywoodgate”
“No Other Land”
“Porcelain War”
“Queendom”
“The Remarkable Life of Ibelin”
“Soundtrack to a Coup d’Etat”
“Sugarcane”
“Union”
“Will & Harper”

DOCUMENTARY SHORT FILM
Fifteen films will advance in the Documentary Short Film category for the 97th Academy Awards. One hundred four films qualified in the category.  Members of the Documentary Branch vote to determine the shortlist and the nominees.

The films, listed in alphabetical order by title, are:

“Chasing Roo”
“Death by Numbers”
“Eternal Father”
“I Am Ready, Warden”
“Incident”
“Instruments of a Beating Heart”
“Keeper”
“Makayla’s Voice: A Letter to the World”
“Once upon a Time in Ukraine”
“The Only Girl in the Orchestra”
“Planetwalker”
“The Quilters”
“Seat 31: Zooey Zephyr”
“A Swim Lesson”
“Until He’s Back”

INTERNATIONAL FEATURE FILM
Fifteen films will advance to the next round of voting in the International Feature Film category for the 97th Academy Awards.  Films from 85 countries and regions were eligible in the category.

Academy members from all branches were invited to participate in the preliminary round of voting and must have met a minimum viewing requirement to be eligible to vote in the category.

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